COLLIN COUNTY COMMUNITY COLLEGE
COURSE SYLLABUS
World
Literature II
Section:______________ Prerequisite:
English 1302
Room:_______________
Day
& Time:____________________ Website: http://iws.ccccd.edu/kennedy
E-mail:
jkennedy@ccccd.edu
Dr.
Joan Kennedy, Professor Phone:
972-377-1044 (Office)
Office: LM 102 Preston Ridge Campus Fax: 972-377-1004
Office
Hours: By Appointment
**Note: A student may repeat this course only once after
receiving a grade, including W.
Textbooks: The Norton Anthology of World
Literature Vol. D, E, F 2nd edition, Ed. Maynard Mack et
al
The New Century
Handbook, 3rd Edition, Hult and Huckin
COURSE
DESCRIPTION:
English 2333 introduces the
student to a multiplicity of literary histories from the 17th
Century through the 20th
Century. The students will read representative selections, analyze and discuss
philosophies, societal mores, social milieus, and
social concerns.
LEARNING
OBJECTIVES:
METHODS
OF PRESENTATION:
Readings, lectures, class discussions, student oral
reports, small group discussions, audio/visual materials
COURSE
ASSIGNMENTS:
A.
In-class essay exams:
#1 - Moliere
- Tartuffe and Pope
- “Essay On Man” -
Sor. Juana de la Cruz Reply
Date:___________________________________________________________________
#2 -
Kafka - Metamorphosis
Date:____________________________________________________________________
B.
Analytic Essay:
Student will write one essay, typewritten,
(double-spaced, 3-4 pages) based on the following:
After reading the assigned works—Rousseau, Browning,
Blake, Dickinson, Baudelaire, Tagore, and African poetry—choose a common theme
that two of these writers share and write an analytic essay comparing
and contrasting each writer’s treatment of that theme.
Consult The New Century Handbook for
samples of analytic essays.
Due:_______________________________________________________________________
C.
Collaborative Research Paper:
(4-6 pages, typewritten, double-spaced, using MLA
format for documentation)
Choose a topic relating to any of the assigned
readings, authors, or the time period that we have covered. I will suggest potential topics, but any
time you have an idea for one, come see me, and let’s talk about it. If it’s an idea you would like to follow up
and research, there’s a good chance it will be an acceptable topic.
Students will work in pairs (or groups of 3 or 4) on
this project. Each group of students
will submit one research paper (containing all names). Each student of the group will receive the
same grade provided that the criteria have been met (that is actively
contributing to a fair portion of the project). By mid-term the research groups will be formed.
Due:_______________________________________________________________________
**Note: I will not accept any late research papers.
D.
Oral Report:
Each student will give one five-minute oral
report on an assigned topic. You may
volunteer for a topic from the list that I will provide. The reports will be given throughout the
semester. You will be evaluated on your
oral presentation (there are no written requirements). The oral report could be expanded into the
research paper.
E.
Journal:
1. Make
weekly entries in your journal
2. You must
have an entry for each of the assigned readings
3.
A
minimum of 15 pages is required by the end of the semester for an “A”
(along with an
entry for each work)
4.
Do
not worry about formal corrections. The
main purpose of the journal is to allow you to express your thoughts on paper.
5.
Since
the journal is a collection of your ideas about the literature that you are
reading, it is an excellent source for potential topics for the research paper.
6.
Bring
the journal to class each day; you will be writing in it during class.
Due:____________________________________________________________________
F.
Oral Interpretation:
Each student will choose one literary work from the
Norton text that was not assigned on the syllabus and present it to the
class. The format for the presentation
will consist of a brief introduction about the author, explanation of the work
as a whole, and reading of a small excerpt from the text. The allotted time for the presentation will
be 5-10 minutes. This project does not have a written requirement
G.
Final Exam:
This will consist of an in-class essay exam.
Date:_______________________________________________________________________
ATTENDANCE:
You
are expected to consult with me whenever an absence is necessary. After two absences, I will deduct 10
points from your grade for each absence (a total of 50 points is allotted
to this). There are no excused
absences. Attending class is
important. When you do not attend,
you miss the class discussion (which can enrich and expand your thoughts),
handouts and notes, and important explanations.
Therefore, attend class regularly and be on time!
If
you are unable to complete this course, you must withdraw from it by the
date indicated in the class schedule.
If you stop attending and do not withdraw, you will receive a
performance grade, usually an “F.”
Students sometimes drop courses when help is available that would enable
them to continue. I hope that you will
discuss your plans with me if you are considering withdrawing from the course.
COURSE
EVALUATION:
The
final course grade will be based on the following:
1.
Two
in-class essay exams – 150 points each (total 300)
2.
One
typewritten essay on poetry – 200 points
3.
One
collaborative research paper – 200 points
4.
Oral
report – 50 points
5.
Journal
– 25 points
6.
Oral
interpretation of literature – 25 points
7.
Final
Exam – 200 points
Total = 1000 points
GRADING
SCALE: 900-1000 = A
800-899 = B
700-799 = C
600-699 = D
Below
600 = F
Late
Papers: I
will not accept papers handed in more than one class period late. If a paper is one class period late, it will
be lowered one grade level. I will
not accept any late research papers.
RELIGIOUS
HOLIDAYS:
In
accordance with Section 51.911 of the Texas Education Code, CCCC will
allow a student who is absent from class for observance of a religious holy day
to take an examination or complete an assignment scheduled for that day within
a reasonable time. Students are
required to file a written request with each professor within the first 15
days of the semester to qualify for an excused absence. A copy of the state rules and procedures
regarding holy days and the form for notification of absence from each class
under this provision are available from the Registrar’s Office.
AMERICANS
WITH DISABILITIES ACT COMPLIANCE:
It is the policy of Collin County Community College to provide reasonable accommodations for qualified individuals who are students with disabilities. This college will adhere to all applicable Federal, State, and local laws, regulations and guidelines with respect to providing reasonable accommodations as required to afford equal educational opportunity. It is the student's responsibility to contact the ACCESS office (G-200) or (972-881-5898) (TTY-972-881-5950) in a timely manner to arrange for appropriate accommodations.
CAMPUS
POLICY:
Campus
regulations do not allow food, drinks, or smoking in the classroom. The same rule applies to all labs.
MISCELLANEOUS:
I
will make changes in objectives, assignments, and due dates for this course if
necessary. Any changes will be
announced in class.
Dr. Joan Kennedy
Week 1 Overview of Course
Readings: Norton Anthology “The Enlightenment in Europe” 295-303
Alexander Pope pp. 489-517 “An Essay On Man” (Wed.)
Moliere pp. 304-361 Tartuffe (Thurs)
Week 2 Sor Juana de la Cruz pp. 403-430 “Reply to Sor Filotea de la Cruz”
(Mon.)
IN-CLASS
EXAM ON MOLIERE’S TARTUFFE, POPE’S “ESSAY
ON MAN” AND SOR JUAN DE LA CRUZ “REPLY” (TUES.)
Readings: “Revolution and Romanticism in Europe and America” 651-661
Rousseau’s Confessions Part I pp. 662-678 (Wed.)
Robert Browning pp. 908-914 “My Last Duchess” and “The Bishop
Orders His Tomb at St. Praxed’s Church” (Thurs.)
Video on Romanticism (Thurs.)
ORAL REPORTS BEGIN ON WEDNESDAY
Week 3 Readings: “The Modern World: Self and Other in Global Context” 1579-
1606
Emily Dickinson pp. 1049-1058 Poetry (Mon.)
Tagore Poetry (India) Handout plus pp. 1671-1673 (Mon.)
Wallace Stevens Poetry pp. 1896-1907 (American) (Tues.)
African Poetry Handouts (Tues.)
Charles Baudelaire Poetry pp. 1380-1398 (French) (Wed.)
William Blake Poetry pp. 780-789 (English) (Wed.)
Franz Kafka pp. 1996-2030 The Metamorphosis (Czech/German)
(Thurs.) Existentialism
Discuss Kafka (Mon.)
EXAM ON KAFKA – TUESDAY
Readings: Naguib Mahfouz pp. 2527-2538“Zaabalawi” (Wed.) Egypt
Albert Camus pp. 2570-2582 “The Guest” (French-Algerian) (Thurs)
ANALYTIC
ESSAY ON POETRY DUE THURSDAY
Week 5 Readings: Gabriel Garcia Marquez pp. 2845-2855 “Death Constant
Beyond Love” (Colombia) (Mon.)
Tadeusz Borowski pp. 2770-2786 “Ladies and Gentlemen to the Gas
Chamber” (Mon.)
Anna Akhmatova Poetry Requiem pp. 2098-2108 (Russian) (Tues.)
RESEARCH
PAPERS DUE TUESDAY (NO LATE PAPERS!)
ORAL
INTERPRETATION OF LITERATURE – TUES./WED
FINAL EXAM THURSDAY______________________________
YOUR GRADE IS DETERMINED ACCORDINGLY:
Total Points Your Points
1. In-Class Essay Exam #1 150 __________________
2. In-Class Essay Exam #2 150 __________________
3. Analytic Essay on Poetry 200 __________________
4. Oral Report 50 __________________
5. Journal 25 __________________
6. Oral Interpretation 25 __________________
7. Research Paper 200 __________________
8. Final Exam 200 __________________
___________
YOUR
TOTAL 1,000 TOTAL_____________
GRADING SCALE:
900-1000 = A
800-899 = B
700-799 = C
600-699 = D
0-599 = F
**Note: Attendance—After two absences, I will deduct 10 points from your grade for each absence (up to 50 points maximum).
Attendance can affect your grade up to 5%.
English 2333 ORAL REPORTS Summer
Week 2 Romanticism Wed. ________________
French Revolution Wed. ________________
Rousseau Wed. ________________
Robert Browning Thurs. ________________
Mary Wollstonecraft Thurs. ________________
Immanuel Kant Thurs. ________________
Week 3 Emily Dickinson Mon. ________________
Rabandranath Tagore Mon. ________________
Charles Darwin Mon. ________________
Wallace Stevens Tues. ________________
Literary Realism Tues. ________________
Charles Baudelaire Wed. ________________
William Blake Wed. ________________
Franz Kafka Thurs. ________________
Existentialism Thurs. ________________
Week 4 Nietzsche Wed. ________________
Sigmund Freud Wed. ________________
Naguib Mahfouz Wed. ________________
Modernism Thurs. ________________
Albert Camus Thurs. ________________
Week 5 Gabriel Garcia Marquez Mon. ________________
Tadeusz Borowski Mon. ________________
Anna Akhmatova Tues. ________________
Post-Modernism Tues. ________________
Scholastic Dishonesty
The College may initiate disciplinary proceedings against a student accused of scholastic dishonesty.
Scholastic dishonesty includes, but is not limited to, statements, acts, or omissions related to applications for enrollment or the award of a degree and/or the submission as one's own work material that is not one's own. Scholastic dishonesty may involve, but is not limited to, one or more of the following acts: cheating, plagiarism, collusion, use of annotated texts or teacher's editions, and/or falsifying academic records.
Plagiarism is the use of an author's words or ideas as if they were one's own without giving credit to the source, including, but not limited to, failure to acknowledge a direct quotation.
Cheating is the willful giving or receiving of information in an unauthorized manner during an examination, illicitly obtaining examination questions in advance, copying computer or Internet files, using someone else's work for assignments as if it were one's own, or any other dishonest means of attempting to fulfill the requirements of a course.
Collusion is intentionally aiding or attempting
to aid another in an act of scholastic dishonesty, including but not limited to,
providing a paper or project to another student; providing an inappropriate
level of assistance; communicating answers to a classmate during an examination;
removing tests or answer sheets from a test site, and allowing a classmate to
copy answers.
Scholastic
dishonesty
and plagiarism are briefly defined in the “Student Code of Conduct” in
the CCCCD Student Handbook.
Every student should read that information, but the CCCCD English
faculty would like for you to know more about plagiarism whether you are
beginning the study of the research process and the pitfalls of proper
documentation or whether you are preparing a critical essay for a literary
studies course.
Plagiarism
has disrupted and destroyed political careers as recently as the 1988
presidential election. It has cost
professional writers thousands and, in some cases, millions of dollars in court
awards or settlements resulting from lengthy lawsuits. In some businesses, plagiarism can result in
a loss of respect or can be the grounds for dismissal. In college courses, plagiarism’s penalties
can range from failure on a particular assignment to failure in a course to expulsion
from college. PLAGIARISM IS A
SERIOUS MORAL OFFENSE.
According
to the MLA Style Manual, the origin of the word plagiarism is the
Latin for “kidnapper”; thus, a plagiarist kidnaps another writer’s sentences,
words, ideas, or organization and presents the material as his own. When the plagiarist uses his stolen
material, he may do so knowing that the work is not his own. This is the most blatant form of plagiarism. MANY CASES OF PLAGIARISM, HOWEVER, ARE
THE RESULT OF CARELESS DOCUMENTATION OR FAULTY NOTE TAKING. Unfortunately, the reader who finds the
error, not knowing the writer’s intent, can only assume the plagiarism
intentional. Intentional or not,
plagiarism in any paper will still carry serious penalties.
You
can avoid plagiarizing if you remember that when you quote, use quotation
marks; when you paraphrase, use only your own words. IN EITHER CASE, YOU MUST DOCUMENT. Proper paraphrasing does not mean changing a
few words here and there, nor does it mean omitting a few sentences or scrambling
their order. For a more complete
explanation of proper paraphrasing, see the textbook.
Many
students overreact when they learn what plagiarism means. They either assume that they should not use any
sources (thus avoiding the problem entirely), or they assume they should
document every word they have written.
Both reactions are in error, for good writing involves the synthesis of
your own ideas with the ideas of others.
Documentation serves the purpose of clearly indicating which ideas are
yours and which are those of other writers.
If you are in doubt about that dividing line, ask your instructor or the
Writing Center tutors for guidance.
Plagiarism,
because it is a form of theft, burglary, kidnapping, or dishonesty that
interferes with the goals of education, must carry severe penalties. The CCCCD English Department’s policy is
that an assignment containing plagiarized material receives an automatic
“F.” Your instructor may have other
penalties in the course syllabus and may choose to initiate disciplinary
proceedings against any student guilty of plagiarism.