COURSE
SYLLABUS
World
Literature II Prerequisite: English 1302 and 3.5 GPA or
Section:_________ Above
Room:__________
Days:___________
Email: jkennedy@ccccd.edu
Dr.
Joan Kennedy, Professor Phone: Office 972-377-1044
Office:
LM 102 Fax: 972-377-1004
Preston
Ridge Campus Web site: http://iws.ccccd.edu/kennedy
Office
Hours: MW 2:30-3:30 PM TR
1-3 PM Fridays: By Appointment
**Important Note: A student
may repeat this course only once after receiving a grade, including W. If you drop the course before the census date
( ), you will not be penalized in
regard to the repeat policy. If you
withdraw from the course after the census date, a grade of W will be
posted to your transcript and count as one attempt toward the repeat policy.
Textbooks: The Norton Anthology of World
Literature, Vol. D, E, F 2nd
Edition Ed. Maynard Mack
The New Century
Handbook, 3rd Edition, Hult & Huckin
COURSE
DESCRIPTION:
English
2333H introduces the student to a multiplicity of literary histories from the
17th Century through the 20th Century. Students will read representative selections
and have the opportunity to enrich each other’s experiences through
collaborative learning as well as special projects in drama, videotaping,
photography, analytical writing, creative writing, and research.
LEARNING
OBJECTIVES:
1.
To promote personal growth and human understanding through careful
reading of interpretive literature of continental Europe,
2.
To discover what some of the greatest minds in history have expressed
about basic human concerns: life, death, love, friendship, religion, etc.
3.
To broaden students’ analytical as well as experiential responses to
literature through special projects
4.
To develop oral communication skills through reports and oral
interpretation
5.
To develop students’ leadership skills through leading class discussion
6.
To enrich each other’s experience through class discussion and
collaborative learning
7.
To encourage creative, interdisciplinary responses to literature
8.
To enrich students’ cultural and artistic awareness through analysis of
films and videos
9.
To incorporate the classroom into real world experiences
METHODS
OF PRESENTATION:
COURSE
ASSIGNMENTS:
COURSE
EVALUATION:
The
final course grade will be based on the following:
1.
One literary analysis essay
- 200 points Grading Scale:
2.
One experiential essay - 100 points 900-1000 = A
3.
Vignette - 50 points 800-899 =
B
4.
Poem - 50 points
700-799 = C
5.
Oral Interpretation - 25 points
600-699 = D
6.
Class Discussion Leader - 50 points Below 600 = F
7.
Kafka Exam - 100 points
8.
Journal - 25 points
9.
Research Assignment - 150 points
10.
Attendance and Class Participation
- 100 points
11.
Final Exam - 150 points
Total = 1000
points
LATE
PAPERS:
I
will not accept papers handed in more than one class period late. If a paper is one class period late, it will
be lowered one grade level. I will
not accept any late research papers.
CAMPUS
POLICY:
Campus regulations do not allow food, drinks, or smoking in the classroom. The same rule applies to all labs.
MISCELLANEOUS:
I
will make changes in objectives, assignments, and due dates for this course if
necessary. I will announce any
changes in class.
RELIGIOUS
HOLIDAYS:
In
accordance with Section 51.911 of the Texas Education Code, CCCC will
allow a student who is absent from class for the observance of a religious holy
day to take an examination or complete an assignment scheduled for that day
within a reasonable time. Students are
required to file a written request with each professor within the first 15 days
of the semester to qualify for an excused absence. A copy of the state rules and procedures
regarding holy days and the form for notification of absence from each class
under this provision are available from the Registrar’s Office.
AMERICANS
WITH DISABILITIES ACT COMPLIANCE:
It
is the policy of
(G-200)
or 972-881-5898 (TTY – 972-881-5950) in a timely manner if he/she desires to
arrange for accommodations.
English 2333 Honors Fall
Dr. Joan Kennedy
Week 1 Overview
of Course
Week 2
Moliere - Tartuffe
pp.
304-361 (French Comedy)
Week 3 Moliere
Alexander Pope - pp. 489-492
“An Essay On Man” pp. 510-517
Week 4 Sor
Juana de la Cruz Reply to Sor Filotea
de la Cruz pp. 403-430
Week 5 “Revolution
and Romanticism in Europe and
Video on Romanticism
Rousseau Confessions pp.
662-678
LITERARY ANALYSIS OF TARTUFFE
DUE:______________________________
Week 6 Robert
Browning pp. 908-910 “My Last Duchess”
pp. 910-911 and “The Bishop
Orders
His Tomb At St. Praxed’s Church” pp.
911-914
Emily Dickinson pp.
1049-1051 Poetry pp. 1051-1058
Week 7 African
Poetry (Handouts) --
Leopold Senghor pp.
2502-2505 “Prayer to Masks” pp. 2508-2509
Tagore -
Baudelaire pp. 1380-1398
William Blake pp. 780-789
Week 8 EXPERIENTIAL
ESSAY DUE:________________________________________
“Realism, Naturalism, & Symbolism in
Gustave Flaubert - pp.
1084-1088 (French)
Novel:
Madame Bovary pp. 1088-1301 Video: Madame Bovary
Week 9 Madame
Bovary continued
Week 10 Vignettes
and Poetry Due on Madame Bovary -
In-class
Anna Akhmatova poetry pp. 2098-2101
Requiem pp. 2102-2108
(Russian)
Week 11 Franz Kafka - pp.
1996-1999 - German Novel
The Metamorphosis pp. 1999-2030
Existentialism
Week 12 IN-CLASS
EXAM – KAFKA’S METAMORPHOSIS__________________________
Readers’
Theater Practice
Week 13 “The Modern World: Self and
Other in Global Context pp. 1579-1606
Albert
Camus “The Guest” pp. 2570-2582 (French Algerian)
Gabriel Garcia Marquez pp. 2845-2855
“Death Constant Beyond Love” (
THANKSGIVING
Week 14 Wallace Stevens poetry pp. 1896-1907 (American)
Tadeusz Borowski pp. 2770-2786 “Ladies and Gentlemen, to the Gas Chamber”
JOURNALS
DUE:___________________________________________________
(I will not accept late research papers)
ORAL INTERPRETATION OF
LITERATURE
Review for Final
Week 16 FINALS WEEK
- FINAL
EXAM:_______________________________________
YOUR GRADE IS DETERMINED ACCORDINGLY:
Total Points Your
Points
1. Literary
Analysis Essay 200 ___________
2. Experiential
Essay 100 ___________
3. Vignette 50 ___________
4. Poem
50 ___________
5. Oral
Interpretation 25 ___________
6. Class
Discussion Leader 50 ___________
7. Kafka
Exam 100 ___________
8. Journal 25 ___________
9. Research
Assignment 150 ___________
10. Attendance
and Class Participation 100 ___________
11. Final Exam 150 ___________
_________
YOUR
TOTAL 1,000 TOTAL _____________
GRADING SCALE: 900-1000 = A
800-899 = B
700-799 = C
600-699 = D
Below 600 = F
LATE PAPERS:
I will not accept papers handed in more than one
class period late. If a paper is one
class period late, it will be lowered one grade level. I will not accept any late research papers.
1. Rousseau Confessions Week 5__________________________
_____________________________________________________________
_____________________________________________________________
2. Robert
Browning Poetry Week
6__________________________
_____________________________________________________________
_____________________________________________________________
3. Charles
Baudelaire Poetry Week 7__________________________
_____________________________________________________________
_____________________________________________________________
4. Anna
Akhmatova Poetry Week 11_________________________
_____________________________________________________________
_____________________________________________________________
5. Franz
Kafka The Metamorphosis Week 12_______________________
_____________________________________________________________
_____________________________________________________________
6. Albert
Camus “The Guest” Week 14_________________________
_____________________________________________________________
_____________________________________________________________
Gabriel
Garcia Marquez “Death Constant
Beyond Love” Week 14______
_____________________________________________________________
______________________________________________________________
7. Tadeusz
Borowski “Ladies and Gentlemen to the
Gas Chamber” Week 15____
______________________________________________________________
______________________________________________________________
Students will work in pairs or groups of three,
leading class discussion.
Informative background information might be helpful
to set the context for the discussion of the literature. Handouts or transparencies for the overhead
projector are also useful tools to open discussion of the work.
Scholastic Dishonesty
Statement
The College may initiate disciplinary proceedings against a
student accused of scholastic dishonesty. Scholastic dishonesty includes, but
is not limited to, statements, acts, or omissions related to applications for
enrollment or the award of a degree and/or the submission as one's own work
material that is not one's own. Scholastic dishonesty may involve, but is not
limited to, one or more of the following acts: cheating, plagiarism, collusion,
use of annotated texts or teacher’s editions, and/or falsifying academic
records.
Plagiarism is the use of an author's words
or ideas as if they were one's own without giving credit to the source,
including, but not limited to, failure to acknowledge a direct quotation.
Cheating is the willful giving or
receiving of information in an unauthorized manner during an examination,
illicitly obtaining examination questions in advance, copying computer or
Internet files, using someone else's work for assignments as if it were one's
own, or any other dishonest means of attempting to fulfill the requirements of
a course.
Collusion is intentionally aiding or attempting to aid
another in an act of scholastic dishonesty, including but not limited to
providing a paper or project to another student, providing an inappropriate
level of assistance; communicating answers to a classmate during an
examination; removing tests or answer sheets from a test site, and allowing a
classmate to copy answers.
Scholastic dishonesty and plagiarism are briefly defined in the
“Student Code of Conduct” in the CCCCD Student Handbook. Every student should read that information,
but the CCCCD English faculty would like for you to know more about plagiarism
whether you are beginning the study of the research process and the pitfalls of
proper documentation or whether you are preparing a critical essay for a
literary studies course.