Gestalt Principles:
Origins
Gestalt theory
first arose in 1890 as a reaction to the prevalent psychological theory of the
time - atomism. Atomism examined parts of things with the idea that these parts
could then be put back together to make wholes. Atomists believed the nature of
things to be absolute and not dependent on context. Gestalt theorists, on the
other hand, were intrigued by the way our mind perceives wholes out of
incomplete elements "To the Gestaltists, things are affected by where they
are and by what surrounds them...so that things are better described as
"more than the sum of their parts."" Gestaltists believed that
context was very important in perception. An essay by Christian von Ehrenfels
discussed this belief using a musical example. Take a 12 note melody. Play it
in one key, say the key of C. Now change to another key, say the key of A flat.
There might not be any notes the same in the two songs, yet a person listening
to it knows that it is the same tune. It is the relationships between the notes
that give us the tune, the whole, not which notes make up the tune.
Gestalt Defined - A physical, biological,
psychological, or symbolic configuration or pattern of elements so unified as a
whole that its properties cannot be derived from a simple summation of its
parts
Gestalt Principles:
Similarity | Proximity | Continuity
Similarity
The
principle of similarity states that things which share visual characteristics
such as shape, size, color, texture, value or orientation will be seen as belonging
together.

In
the above example, the two filled lines gives our eyes the impression of two
horizontal lines, even though all the circles are equidistant from each other.

In
the above example, the larger circles appear to belong together because of the
similiarity in size.
Proximity or
Contiguity
The principle of proximity or contiguity states that things which
are closer together will be seen as belonging together.

Looking at the above picture, since the horizontal rows of circles
are closer together than the vertical columns, we perceive two vertical lines.
Since the first two columns and the last two columns have less space between
them than the center two columns, we perceive two groups of two columns.
Continuity
The principle of continuity predicts the preference for continuous
figures.

As seen in the above example, we perceive the figure as two
crossed lines instead of 4 lines meeting at the center.
Gestalt Principles:
Figure | Ground
The terms figure
and ground explain how we use elements of the scene which are similar in
appearance and shape and group them together as a whole. Similar elements
(figure) are contrasted with dissimilar elements (ground) to give the
impression of a whole.

Look carefully at
the M.C. Escher print to the left. Do you see the white horses and riders? Now
look for the black horses and riders! Escher often designed art which played
around with figure and ground in interesting ways. Look at how figure and
ground interchange in this print.
Gestalt Principles:
Closure | Area | Symmetry
Closure

The
principle of closure applies when we tend to see complete figures even when
part of the information is missing. We see three black circles covered by a
white triangle, even through it could just as easily be three incomplete
circles joined together. Our minds react to patterns that are familiar, even
though we often receive incomplete information. It is speculated this is a
survival instinct, allowing us to complete the form of a predator even with
incomplete information.

Even
though the circle to the left is not joined together, we still perceive a
circle due to the principle of closure.
Area

The
principle of area states that the smaller of two overlapping figures is
perceived as figure while the larger is regarded as ground. We perceive the smaller square to
be a shape on top of the other figure, as opposed to a hole in the larger
shape. We can reverse this perception by using shading to get our message
across, as seen below.

On
a white background, this looks like a box with a hole in it.
Symmetry

The
principle of symmetry describes the instance where the whole of a figure is
perceived diamonds, or three objects, a small diamond and two irregular objects
above and below it? If you are perceiving according to the principle of
symmetry, you will probably see two diamonds overlapping.
Examples:

